The Importance of Sensory Play
Children use their senses to explore and try to make sense of the world around them. They do this by touching, tasting, smelling, seeing, moving and hearing. Providing opportunities for children to actively use their senses as they explore their world through ‘sensory play’ is crucial to brain development – it helps to build nerve connections in the brain’s pathways. This leads to a child’s ability to complete more complex learning tasks and supports cognitive growth, language development, gross motor skills, social interaction and problem solving skills.
Five reasons why sensory play is beneficial:
- Research shows that sensory play builds nerve connections in the brain’s pathways, which lead to the child’s ability to complete more complex learning tasks.
- Sensory play supports language development, cognitive growth, fine and gross motor skills, problem solving skills, and social interaction.
- This type of play aids in developing and enhancing memory.
- Sensory play is great for calming an anxious or frustrated child.
- This helps children learn sensory attributes (hot, cold, sticky, dry)
In the Nursery and Pre-Reception classes we incorporate sensory play and fine motor activities into students’ daily programme. Play dough is used as part of the heavy work component of a sensory diet. It can also help improve a child’s fine motor skills. They are encouraged to squeeze, stretch, pinch and roll the play dough and even cut the play dough with scissors.
Different types of painting can also help strengthen hand eye coordination and manual dexterity. Finger painting gives the student an opportunity to use their hands and get messy. Painting with a brush helps them learn to hold a brush and gain greater control using it as a tool.
The students also get to look for numbers covered in rice and play in corn flour mixed with water. A fun and messy activity enjoyed by most of the students!
Cindy Nunan
Nursery & Pre-Reception Teacher
Different Habitats
The Year 2 students have been learning many different facts about various animals and their habitats.
“The most important thing is to preserve the world we live in. Unless people understand and learn about our world, habitats, and animals, they won’t understand that if we don’t protect those habitats, we’ll eventually destroy ourselves.” – Jack Hanna
It is crucial that the Year 2 students learn about different habitats as they begin to understand the importance of both living and non-living things in a habitat. In learning this, students have learnt how plants and animals have adapted in order to thrive where they live. They have learnt that without the different habitats, we would not exist, therefore it is important for us to protect and appreciate the different habitats on Earth.
“We don’t own the planet Earth; we belong to it. And we must share it with our wildlife.” – Steve Irwin
Some fun facts we learnt:
-Wolves are part of the dog family.
-The blue whale is much louder than a jet, which only reaches 140 decibels.
-Koala Bears choose their habitat by the group of food trees.
-The Komodo Dragon can weigh up to 150 kilograms.
-Camels have long eyelashes to protect their eyes from sand.
Erin Hierse
Year 2 Teacher
Not only drawing and painting
Cambridge Art and Design is not just one subject; it is many subjects. The syllabus covers a wide range of artistic activity divided into broad areas of study: Painting & related media, Non-traditional media, Mixed media, 3-D Painting, New Media, Printmaking, Three-dimensional studies, Photography and digital media, Graphic communication and Textile or Fashion Design and Craft design.
What is non-traditional media?
Non-traditional media include a wide range of modern materials that are used together or combined with traditional materials. They include collage, textiles, and waste materials. Collage artists often collect magazine photographs and coloured papers which enables them to choose a range of shapes and colours for their work.
BRC Designs’ Capped Out Chair consist of hundreds of salvaged bottle caps layered over a structure composed of 99% recycled steel finished with a white powder coating. The soda bottle caps are attached using zip ties, giving the chair a colourful and comfortable surface for sitting. The Capped-Out Chair is part of a collection also includes a spiky fruit bowl made from bottle tops and zip ties.
“The Scrabble Game, January 1”, 1983, David Hockney, photographic collage.
In the early 1980’s, English painter David Hockney began creating intricate photo collages that he called “joiners”. His collages consists of compositions made up of photographs.
3-D Painting
Combining painting with 3-D objects has been popular since Cubism. Picasso and Braque added small pieces of card, wood, and metal to their canvas. By painting this assemblage, the viewer must try and work out what is real and what is painted, and what is 2-D and what is 3-D.
One person’s trash can be another person’s treasure. Kirkland Smith makes assemblages with an overwhelming array of “found” objects. Smith’s assemblages have been displayed individually at environmental conferences and meetings, but more often are collected and displayed simply for their aesthetic appeal.
Three-dimensional studies
Three-dimensional (3-D) studies include a large variety of materials and approaches for creating art. These studies involve working in 3-D forms with one or more materials rather than on a flat, 2-D surface. This means you need to be particularly aware of space, volume, and form. 3-D studies can include: sculpture, ceramics, theatre and set design, environmental and architectural design, product design and craft design.
3-D studies can also overlap with other areas of art depending on which materials you work with. For example, a sculpture made of fabric might also be described as textiles.
Theatre design / Set design or Environmental / Architectural design
Theatre and set design involve creating ideas to support performances or productions of drama, dance, or music. This can include design work such as: a stage set or scenery, props or accessories, costumes, masks, and headdresses.
Like other areas of 3-D studies, you can present your work in various formats, including: photographs, digital images, scale drawings and 3-D scale models.
You can choose any aspect of theatre or set design as your focus, which will help to decide the materials and scale of your work. For example, if you enjoy working with fabrics and have an interest in fashion, you can design a costume for a character in a performance. Alternatively, you can make a stage set for a production as a scale model. You may also design the lighting for a stage production and consider what impact this has on the audience.
A set design for “Trick or Treat” by scenic designer, Michael Ganio.
Small scale stage set design with painted environment with separate elements based on the set design for Poulenc’s opera, The Breasts of Tirésias, 1983 by David Hockney.
IGCSE design using craft to make designs for a mask.
What is environmental and architectural design?
Environmental and architectural design involves creating ideas on a large scale. It includes designing new buildings, structures, or spaces that people can use. This type of 3-D design is about enhancing the surroundings in which people live and work.
You could design for a domestic, commercial, or retail space, you might also consider designing a garden or landscape. Creating sustainable and environmentally friendly design can also be a consideration.
IGCSE Art project using corrugated cardboard
You can use the following techniques to present your work, or any other technique that you think is useful or relevant: scale models, scale drawings, CAD, and photo montage.
Set design for “Wicked” by Tony Award winner, Eugene Lee, and Edward Piece.
Product design
Product design involves inventing new items that are either functional, decorative or both. Most products overlap between the categories. Products are often created in response to a design brief. This means that the design of a product involves solving any problems and requirements that are necessary to fulfill the brief. This process includes selecting the right materials and making sure the product functions properly, as well as looks attractive. It must also include making sure that the product is cost-efficient.
Product designs
Product designs
Like other areas of 3-D design, product design can range in scale from small to exceptionally large. You may decide to design a large-scale product such as a piece of furniture, but you do not need to make a full-sized model. You can communicate your designs as a scale model. However, you do need to show your understanding of how the full-size product would be made. This should include any manufacturing processes or specific techniques that are required to make the outcome. You must also use 2-D techniques to record the various stages of your work and ideas.
Craft design
Craft design covers many types of skillful making by hand. Like most areas of 3-D studies, craft can be either functional or decorative, or both.
Examples of craft design are jewellery, wire and metalwork, paper mâché, mosaic, puppet-making and local craft such as basket weaving.
IGCSE Craft design
Jewellery
Jewellery is any sort of design object that can be worn on the body. It is usually fairly small scale but can also be quite large and elaborate. Consequently, jewellery is often linked with fashion design. Examples of jewellery are rings, necklaces or pendants, bracelets or bangles, earrings, and brooches or badges.
Traditional materials for making jewellery include wood, metal, glass, clay, precious stones and natural fibers or products such as shells, seeds, bone, or seedpods.
Modern materials and creative techniques use other materials such as plastic, paper, recycled materials, resin, and fabrics.
Jewellery design
The use of digital technology has also enabled some designs to be mass-produced. An example of this is plastic jewellery that has been laser-cut into a pattern so that the same design can be cut out in the same pattern lots of times.
Constructed textiles
Traditional textiles are made from yarns that are woven, knitted, crocheted, knotted, felted, or fused together. The yarns are placed close together to form a solid fabric, or spaced to form a more open structure. Constructed textiles can be large or small scale, handmade, or mass-produced by machine. They can be two-dimensional, like a carpet, or three-dimensional, like a yurt.
Fashion design with constructed textiles
Fashion design with constructed textiles
Jewellery design with constructed textiles
Riaan Vosloo
IGSCE/AS & A Level Art and Design Teacher
Sensory Play in the Nursery
Why do we engage in Sensory Play?
From birth through to early childhood, children use their senses to explore and try to make sense of the world around them. They do this by touching, tasting, smelling, seeing, moving and hearing.
Children and even adults learn best and retain the most information when they engage their senses. Many of our favorite memories are associated with one or more of our senses: for instance, the smell of a summer night campfire or a song you memorized the lyrics to with a childhood friend. Now, when your nostrils and eardrums are stimulated with those familiar smells and sounds respectively, your brain triggers a flashback memory to those special times.
- Research shows that Sensory Play builds nerve connections in the brain’s pathways, which lead to the child’s ability to complete more complex learning tasks.
- Sensory Play supports language development, cognitive growth, fine and gross motor skills, problem solving skills, and social interaction.
- This type of play aids in developing and enhancing memory.
- Sensory Play is great for calming an anxious or frustrated child.
- This helps children learn sensory attributes. (hot, cold, sticky, dry)
I wish to encourage parents to get messy with their children at home to make learning more fun.
Jacky Billings
Nursery Teacher